By Mascha van Nieuwkerk ”Completomania” afflicts opera history.’[1] With this headline De Volkskrant announced the publication of De Annals van de Nederlandse Opera-gezelschappen in 1996, a fifteen-pound heavy book of almost 1300 pages with over five thousand opera productions in the Netherlands in the yearsREAD MORE

Last week at our Amsterdam Time Machine meet-up, Peer Boselie, city archivist in Sittard, presented AEZEL, a kind of ‘Limburg Time Machine’. Since 1989 the LGGI (Limburgs Genealogisch en Geschiedkundig Informatiecentrum) has been publishing and digitizing research and information on cultural heritage of the Southern Netherlands. SomeREAD MORE

Johannes Vermeer is currently the most renowned Dutch genre painter. Yet he was only one of many artists who excelled in capturing everyday surroundings in exquisite detail. Even though these painters were active in different Dutch cities, their work bears strong similarities in style, subjectREAD MORE

Nature, the international weekly journal of science, reported last month about the creation of time machines. Especially the Venice Time Machine; the ambitious project aims to digitize 1,000 years of Venetian history. Founder Frédéric Kaplan hopes that Venice is just a starting point. The VeniceREAD MORE

We are very pleased to welcome two boundary-defying pioneers on a single stage. Both our distinguished speakers have achieved excellence in their respective disciplines to then cross the traditional divide between art history and social scientific work on arts and culture. Christian Huemer is anREAD MORE

The Department of Information Studies at University College London (UCLDIS) invites competitive applications for a three year fully funded doctoral research studentship in the area of Digital Humanities as part of their Enlightenment Architectures project. Closing date for applications is 31 May 2017. Note thatREAD MORE

The Roy Rosenzweig Center for History and New Media invites submissions for the first annual Current Research in Digital History conference. Submissions should offer historical arguments and interpretations rather than showcase digital projects. We anticipate that the format of short presentations will provide an opportunityREAD MORE