By Mascha van Nieuwkerk ”Completomania” afflicts opera history.’[1] With this headline De Volkskrant announced the publication of De Annals van de Nederlandse Opera-gezelschappen in 1996, a fifteen-pound heavy book of almost 1300 pages with over five thousand opera productions in the Netherlands in the yearsREAD MORE

By Vincent Baptist Over the last year and a half, I helped out with the development of the CREATE research agenda on the data-driven history of performing arts by setting up an inventory of existing databases within Europe concerning film, theatre and music performances (1600-present).READ MORE

Last week at our Amsterdam Time Machine meet-up, Peer Boselie, city archivist in Sittard, presented AEZEL, a kind of ‘Limburg Time Machine’. Since 1989 the LGGI (Limburgs Genealogisch en Geschiedkundig Informatiecentrum) has been publishing and digitizing research and information on cultural heritage of the Southern Netherlands. SomeREAD MORE

The CLARIAH-board has awarded the Amsterdam Time Machine (ATM) project with a grant of € 251.000,- which will realize the geographical component of the project. Thanks to this grant the geo-infrastructure HisGIS of the Fryske Akademy will become available to ATM and the general CLARIAH-infrastructure.READ MORE

Please save the dates for our 2018 Salon serie (3-5 PM in the eLab of Mediastudies). More information on topics and speakers will be available soon. Thursday 1 February Thursday 8 March Thursday 5 April Thursday 17 May Thursday 14 June Happy holidays and best wishes onREAD MORE

By Mascha van Nieuwkerk Studying opera as a borderless art form has never been as relevant as it is now that the Brexit referendum of June 2016 is having its first direct effects on daily live in Britain. From early British history until the presentREAD MORE